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1/31/2024 0 Comments Login google duo app installA search box allows you to search for contacts or dial a number and a preview window will pop up before making a video call. Naturally, both Duo voice and video calls are supported in all of the major web browsers, including Google Chrome, Mozilla Firefox, and Safari. Unfortunately, the service doesn’t appear to work in Microsoft’s Edge web browser. For an unknown reason, visiting the Duo website in that browser instead suggests downloading the app on iOS and Android. Google Duo was first introduced at Google’s I/O developer conference back in 2016 and has picked up quite the number of new features over the years. Most recently Google started testing a group-call ability for the service, and before that, it had also made way onto iOS and Android tablets.ĭuo remains fairly popular, and according to its listing on the Google Play Store, it has been downloaded on Android 1 billion times. It originally launched alongside Allo, a separate messaging app that is now scheduled to shut down in March. If Google Duo isn’t to your liking, check out our guide to the best video chat apps for iOS and Android right here, with the list including Facebook Messenger, WhatsApp, and more. Open the Google Duo website on the new Chromium-based Microsoft Edge browser.When the website loads, select the menu button on the top right corner denoted by three horizontal dots.Select Apps > Install this site as an app.The browser will install the Google Duo website as an app with a XAML shell on your Windows 10 computer.You will also find an entry for it in the All apps list in the Start Menu.Duo is the highest quality1 video calling app. If needed, you can create a shortcut for it on the desktop, pin it to the taskbar or pin a tile.Its free, simple and works on Android phones, iPhones, tablets, computers, and smart displays, like the Google. It is worth noting that this app won’t get all the features immediately, unlike its Android and iOS counterparts. That’s the default procedure to install a website as a PWP on the new Microsoft Edge browser. There is a special Google Duo tracking spy application called AddSpy that allows tracking calls – both received and dialed. Like any other video service app, Google Duo is a free voice and video calling application. It uses the internet to get your video and audio to the other side-the better the bandwidth, the better the quality of both audio and video. Can Google duo be used on a PC The app was only available for Android, iOS, and Chromebooks, but now it is available for all to enjoy. Unlike Zoom, there is no time limit on either a group call or a one-to-one call. The Google Duo is one of the most recent apps from Google family. You can call as long as it is possible, and you have a stable internet connection. If that gets interrupted, then your call may drop. While the Duo app may be available right on your phone, The Skype app needs to be installed. In the end, both are video calling services that help you connect with people. Thereupon Niya leads Shō to the "river", a small rivulet, where the Borrowers are waiting for Spiller to take them further. On their way out during the night, the Borrowers are spotted by the cat Niya. Arrietty comes to Shō for help they rescue Homily and he destroys all traces of the Borrowers’ presence. Haru locks him in and calls a pest control company to capture the other Borrowers alive. Saddened by her departure, Shō returns to his room. Alerted by her mother's screams, Arrietty goes to investigate. She unearths the Borrowers' house and captures Homily. Haru notices the floorboards have been disturbed. He is accepting, saying that every living thing dies. The operation does not have a good chance of success. Shō apologises that he has forced them to move out and reveals he has had a heart condition since birth and will have an operation in a few days. Pod recovers and Arrietty bids farewell to Shō. However, the Borrowers are frightened by this and speed up their moving process. Shō removes the floorboard concealing the Borrower household and replaces their kitchen with the kitchen from the dollhouse to show he hopes them to stay. Pod returns injured from a borrowing mission and is helped home by Spiller, a survivalist boy he met. Shō learns from Sadako that some of his ancestors had noticed the presence of Borrowers in the house and had the dollhouse built for them. Realizing they have been detected, Pod and his wife Homily decide they must move out. On her return home, Arrietty is intercepted by her father. The crow attacks Arrietty but Shō saves her. Without showing herself, she tells him to leave her family alone but they soon have a conversation, which is interrupted by the crow. Nevertheless, she sneaks out to visit Shō in his bedroom. Pod warns her not to take it because their existence must be kept secret from humans. The next day, Shō puts the sugar cube and a little note beside the air vent. Shō tries to comfort her but Pod and Arrietty leave. It is Shō's bedroom he sees Arrietty when she tries to take a tissue from his table. After obtaining a sugar cube from the kitchen, they travel to a bedroom which they enter through a dollhouse. When Shō arrives, he gets a glimpse of Arrietty, a Borrower girl, returning to her home through an underground air vent.Īt night, Arrietty's father, Pod, takes her on her first "borrowing" mission, to get sugar and tissue paper. Two English-language versions of the film were produced, a British dub released in the United Kingdom on Jby Optimum Releasing and an American dub released in North America on Februby Walt Disney Pictures.Ī boy named Shō remembers the week in summer he spent at his mother's home with his maternal great aunt, Sadako, and the housemaid, Haru. The film also won the Animation of the Year award at the 34th Japan Academy Prize award ceremony. It became the highest-grossing Japanese film at the Japanese box office for the year 2010, and grossed over $145 million worldwide. The film was released in Japan on July 17, 2010, by Toho, and received positive reviews from critics, who praised its animation and music. This film marks the cinematic debut of Hiromasa Yonebayashi, as well as the British dub marking the cinematic debut of Tom Holland. The voice actors were approached in April 2010, and Cécile Corbel wrote the film's score as well as its theme song. Miyazaki supervised the production as a developing planner. Ghibli announced the film in late 2009 with Yonebayashi making his directorial debut. The film stars the voices of Mirai Shida, Ryunosuke Kamiki, Shinobu Otake, Keiko Takeshita, Tatsuya Fujiwara, Tomokazu Miura, and Kirin Kiki, and tells the story of a young Borrower (Shida) befriending a human boy (Kamiki), while trying to avoid being detected by the other humans. The screenplay by Hayao Miyazaki and Keiko Niwa, was based on the 1952 novel The Borrowers by Mary Norton, an English author of children's books, about a family of tiny people who live secretly in the walls and floors of a typical household, borrowing items from humans to survive. Arrietty, titled Arrietty the Borrower ( Japanese: 借りぐらしのアリエッティ, Hepburn: Karigurashi no Arietty) in Japan and The Secret World of Arrietty in North America, is a 2010 Japanese animated fantasy film directed by Hiromasa Yonebayashi as his feature film debut as a director, animated by Studio Ghibli for the Nippon Television Network, Dentsu, Hakuhodo DY Media Partners, Walt Disney Japan, Mitsubishi, Toho and Wild Bunch. 1/31/2024 0 Comments Portal 2 vrSince Lego Dimensions is for kids, the puzzles aren't as tough as in the main Portal games, but, honestly, building your very own Companion Cube and Sentry Turret is fun all on its own. Photorealistic reshade for Portal 2 that makes the game look like it was released this year. GLaDOS plays a major role in the story, while a complete Portal-themed expansion can be unlocked if you pick up one of the Portal Lego packs. Photorealistic reshade for Portal 2 that makes the game look like it was released this year. The toys-to-life game Lego Dimensions combines Portal with a number of other popular franchises, including various DC Comics franchises, Doctor Who, The Simpsons, Ghostbusters, The Lord of the Rings, Back to the Future, and more. Ellen McLain even returns to voice GLaDOS, offering you instructions and "advice" as you progress. That means that you'll have to worry about things like how much weight your structure can support while also making sure vehicles driving on top avoid lasers, hit the right switches, and travel through portals safely. With all of these projects, there aren't a whole lot of resources for Portal 3, no matter how badly fans might want it.īridge Constructor Portal, for example, fuses ClockStone's engineering-based simulation game with Valve's sci-fi puzzler. Now with a free bonus chapter added 1.99 Add to Cart Buy Portal 2 9. The Vive is getting a substantial update sometime in 2018, and most of Valve's in-production games will be virtual reality titles (the only non-VR game that the company has announced since Dota 2 came out is Artifact, a Dota 2-themed card game). Portal 2 - The Final Hours is a digital book that takes you deep within the top-secret offices of Valve for an unvarnished look at the creative process behind Portal 2. As of this writing, virtual reality is keeping Valve very busy. Most crucially, Valve collaborated with HTC to create the Vive, which some argue is the best consumer-grade virtual reality headset on the market. Portal Stories: VR is a single-player virtual reality fangame of Portal 2. In 2013, the company announced SteamOS, a Linux-based operating system devoted to gaming, and a line of devices known as Steam Machines intended to bridge the gap between consoles and gaming PCs (after almost half a decade, Steam Machines are still around, although they haven't sold as well as Valve had hoped). Portal is a series of first-person puzzle-platform video games developed by Valve. Way back in 2000, Valve teamed with Cisco to create PowerPlay, an initiative designed to speed up consumer internet in hopes of improving online gameplay. Juggling is hard enough as is, but doing it in virtual reality through a set of portals - well I imagine that took a ton of practice.It doesn't stop there. The title of the post, as well as the comments, point out just how impressive this video is, and reading through them made me take pause and think a little bit more about how much gaming technology has advanced, even in the past few years. It’s not something I’ve come across before, but it certainly didn’t surprise me to see. That’s exactly what happened when I logged onto Reddit today and saw a post of a guy juggling through portals (a la Portal) in VR. At this point, it doesn’t feel like anything can surprise me anymore - which is why it’s nice to get a reminder of how far the industry has come every once in a while. Bugs that turn characters into spaghetti monsters in the middle of a dramatic cutscene? That was my day job. Someone hacking into a meeting of the Italian senate and playing Final Fantasy porn? That’s just the normal news cycle. Any kind of crazy trick shot you can think of? Check the Call of Duty: Warzone compilations. When it comes to gaming these days, I feel like I’ve kind of seen it all. I just know GLaDOS would have something funny to say about this 1/31/2024 0 Comments Remotix rdpYour Mac files are available as a folder within RDP session (Windows over RDP) Sound playback & recording (Windows over RDP) Rich clipboard with text, RTF and HTML (Windows over RDP) On-the-fly resolution and scale change (Windows over RDP) RD Gateway & load-balancing configurations (Windows over RDP) Curtain mode & remote screen locking (Screen Sharing) Ask to share the screen or authenticate by OS X username & password (Screen Sharing) Dramatic improvement of interaction speed with server-side picture scaling (Screen Sharing) Multi-display configuration selection, combined or each display individually (Screen Sharing) Best performance on average or slow internet connections with Apple adaptive codec (Screen Sharing) Automatically keeps your Mac pasteboard synchronized (Screen Sharing) Drag-n-drop to share files between your Mac and remote Mac (Screen Sharing) Curtain mode & remote screen locking (Mac only) Login using system credentials or personal access code Automatically adapts to changing network conditions Three quality modes, including “smooth” - for video & games Hardware accelerated H.264 based remote desktop experience URL schemes to launch Remotix from third-party apps Stored computers are synced to all devices via Remotix Cloud or iCloud Discover nearby computers using Bonjour, NetBIOS and LAN scanners Remotix Cloud technology for connecting from anywhere Apple Screen Sharing, VNC and RDP, including RD Gateway NEAR - low-latency, adaptive, H.264 based remote desktop protocol 1/31/2024 0 Comments Arburg copy log 5.0Press and hold “refresh” button on system tab to activate updating entries every frame.Added additional graphics info to system tab.Expanded input area for scroll bar on console view (easier to drag on touch screens).Display warning at runtime when issues are detected with log message callbacks. Improvements to UI scaling behaviour on high-dpi phone displays.Copy log message / stack trace to clipboard (on supported platforms).Initial support for notched displays (safe area).Debug panel no longer consumes CPU resources rendering canvases when hidden.(Options) Improved error message when an unsupported property type is encountered.(Options) Enum and Number property names are no longer truncated.Properties and Methods with attribute will not be displayed in the options tab (applies to SROptions and Option Containers). Any properties or methods derived from MonoBehavior will be ignored.
Three, continue building products that solve our customers’ problems and help grow their businesses, particularly with our supplier network. Two, accelerate revenue growth from financial services, including both Lightspeed Payments and Lightspeed Capital. We expect this to show up as an increased platform adoption among high GTV merchants, higher ARPU and more efficient and rapid product innovation. As we look to better align ourselves to the rule of 40 metrics, this fiscal year Lightspeed expects to, one, reap the benefits of having our One Lightspeed flagship product in market. And now, fiscal 2024 will be our year of execution. I would say that we have spent the last four years establishing the foundations of this formidable company. And earlier this year, it meant reorganizing how we operate to become a more nimble and streamlined company. It meant honing on our sales and marketing organization to better target higher GTV customers. It meant making key strategic acquisitions. Delivering on the strategy meant building our payments platform from ground up. Since we went public on the Toronto Stock Exchange in 2019, we have been laser focused on becoming the go-to platform for sophisticated retailers and restauranteurs around the world. As we enter fiscal 2024, let me walk you through how we see this year unfolding. Our GPV volumes were up by 70% year-over-year and our adjusted EBITDA loss of $4.3 million came in significantly better than expected. We achieved an organic revenue growth rate of 26%. Overall, I was very happy with our results this quarter. With that, I will now turn the call over to JP. And finally note that because we report in US dollars, all amounts discussed today are in US dollars unless otherwise indicated. Reconciliations between the two can be found in our earnings press release, which is available on our website, on and on the SEC’s EDGAR system. These should be considered as a supplement to, and not a substitute for, IFRS financial measures. You should carefully review these factors, assumptions, risks, and uncertainties in our earnings press release issued earlier today, our fourth quarter 2023 results presentation available on our website, as well as in our filings with US and Canadian securities regulators.Īlso, our commentary today will include adjusted financial measures, which are non-IFRS measures and ratios. We undertake no obligation to update these statements, except as required by law. Certain material factors and assumptions were applied in respect of conclusions, forecasts and projections contained in these statements. We will make forward-looking statements on our call today that are subject to risks and uncertainties that could cause actual results to differ materially from those projected. After prepared remarks, we will open it up for your questions. Joining me today are JP Chauvet, Lightspeed’s Chief Executive Officer, and Asha Bakshani, our Chief Financial Officer. Welcome to Lightspeed’s fiscal Q4 2023 conference call. I would now like to turn the call over to Gus Papageorgiou. After the speakers’ remarks, there will be a Q&A session. All lines have been placed on mute to prevent any background noise. Operator: Hello, and welcome to the Lightspeed Fourth Quarter 2023 Earnings Call. Reported EPS is $-0.43 EPS, expectations were $-0.03. 1/31/2024 0 Comments Seasonality core manualThe warm oligotrophic subtropical gyres of the major ocean basins are the largest biome in the planet, and these nutrient-poor regions are expanding in size ( Irwin and Oliver, 2009). This trophic transfer may represent a critical mechanism sustaining the upper levels of mesopelagic trophic webs. There, a large and diverse community of heterotrophic protists thrives on sinking particulate matter, preys upon the prokaryotic populations ( Rocke et al., 2015 Ollison et al., 2021) and removes a similar percentage of the prokaryotic standing stock compared to the epipelagic realm ( Rocke et al., 2015). The available observational data is rich in horizontal spatial and temporal coverage, yet lacks vertical resolution, particularly below the photic zone ( Ollison et al., 2021). Recent applications of molecular tools such as metabarcoding ( de Vargas et al., 2015 Choi et al., 2020), metagenomics and single cell genomics ( Latorre et al., 2021), have significantly sharpened our understanding of protist diversity, distributions, and functionality, from basic trophic modes to complex metabolic pathways, and emphasized their importance in channeling marine productivity to upper trophic levels. They are responsible for ~50% of annual planktonic photosynthetic primary productivity (PP), of which they consume ~66%, plus an additional 10% of bacterial PP ( Calbet and Landry, 2004 Steinberg and Landry, 2017). These groups occupy distinct niches in the marine food web, playing essential roles in biogeochemical cycles ( Mitra et al., 2014 Worden et al., 2015). They include primary producers (autotrophs), heterotrophs (phagotrophs and parasitic), and a substantial collection of lineages exhibiting varying degrees of mixotrophic strategies ( Mitra et al., 2016). Marine protists encompass a large and heterogeneous community representing the majority of the eukaryotic diversity on the oceans ( Worden et al., 2015). At depth, the protist community closely tracked mesoscale events (eddies), where the communities followed the hydrographic uplift, raising the deeper communities for hundreds of meters, and compressing the communities above. The results suggest a dynamic partitioning of the water column, where the niche vertical position for each community changes throughout the year in the epipelagic, likely depending on nutrient availability, the mixed layer depth, and other hydrographic features. Below the photic zone, the community, dominated by Rhizaria, is depth-stratified and relatively constant throughout the year, although they followed local hydrographic and biological features such as the oxygen minimum zone. However, autotrophs bloomed during the rapid transition between the winter mixing and the stratified summer, and heterotrophs had their peak at the end of summer, when the base of the thermocline reaches its deepest depth. Mixotrophic lineages dominated throughout the year. The protist community showed a dynamic seasonality in the epipelagic, responding to hydrographic yearly cycles. The present study applies V4 18S rDNA metabarcoding to samples collected over three years in conjunction with the BATS time-series to assess marine protist communities in the epipelagic and mesopelagic zones (0-1000 m). While the available data is rich in horizontal and temporal coverage, little is known on their vertical structuring, particularly below the photic zone. They have different functions in the marine food web, playing essential roles in the biogeochemical cycles. Protists represent the majority of the eukaryotic diversity in the oceans.
1/31/2024 0 Comments Musicality singers( C) shows mean tonality of improvisation as measured by proportion of tonal notes (z-score) according to group and type of stem. Both groups were above chance and the control group had higher scores than the group with amusia. The lower dashed line represents chance (0.149), as estimated from over one million random permutations generated over the course of the analyses. The upper dashed line represents the score of a professional singer. Each value was calculated as an average from 28 improvisations, except in a handful of cases with truncated recordings. ( B) shows the proportion of trials in which the participant ended their improvisation within 50 cents of the tonic determined by the key-finding algorithm. The lower dashed line represents chance, i.e., z-score of 0. His data provide a benchmark of proficient singing since the measures are standardized with a clear baseline but no clear ceiling. The upper dashed line represents the score of a professional baritone singer with 11 years of formal training and 29 years of total singing experience. Individual data points were calculated as the average of 28 improvisations, which were z-transformed against 1000 randomly generated melodies. ( A) shows the z-transformed proportion of tonal notes. The algorithm is visualized dynamically in Supplementary Materials (Movie S1) and available as a python module (see Code Availability). In short, the algorithm ‘lines up’ the sung notes with the scale as much as possible. The minimum value indicates the transposition or index with the best fit (vertical red line), which can then be used to locate the tonic to the nearest cent. ( G) visualizes the mean negative log likelihood across notes, weighted by note duration, at each transposition. By comparing the PDF distribution in ( E) with the distribution of pitch classes in ( F), a score of how well the distributions overlap (negative log likelihood) can be calculated for each transposition. ( F) visualizes a histogram of notes from the performance as pitch class in cents (i.e., 0–1200), both in their original value (blue bars) and after being transposed together in steps of one cent, covering the entire octave, until the best alignment with the PDF is found (red bars). ( E) visualizes the normalized probability density function (PDF), which used only the in-scale intervals from ( D). ( D) visualizes the probe tone ratings (here, minor mode), representing how well each interval fits within the scale, which were used to scale the height and spread of the Gaussians in the normalized probability density function. ( C) visualizes the semi-automated annotation of note boundaries (blue boxes) and pitch (black line) in the program Tony. ( B) visualizes the waveform of an actual improvisation (Audio S1, amusic). ( A) visualizes the general progression of the study. Overview of the task and key-finding algorithm. The findings are a proof of concept that improvisation can serve as a novel, even enjoyable method for systematically measuring hidden aspects of musicality across the spectrum of musical ability. The results show signatures of tonality in both nonmusicians and individuals with congenital amusia, who have notorious difficulty performing musical tasks that require explicit responses and memory. To assess the extent to which each improvisation reflects tonality, which has been proposed to be a core organizational principle of musicality and which is present within most music traditions, we developed a new algorithm that compares a sung excerpt to a probability density function representing the tonal hierarchy of Western music. Each sang 28 long improvisations as a response to a verbal prompt or a continuation of a melodic stem. Here, we exploit this natural inclination to probe implicit musical knowledge in 33 untrained and poor singers (amusia). Humans spontaneously invent songs from an early age. 1/31/2024 0 Comments Igg games spellcaster universityUnlike with many other creature types in The Sims games, becoming a Spellcaster in Realm of Magic is just the very beginning of your magical journey, not an end goal.Īs such, the steps you need to take to get started are pretty simple, requiring only a little exploration. Like all aspirations in The Sims 4, they can either be selected during character creation or swapped out on an existing Sim at any time using the Simology panel. You don't need to have one of these aspirations to become a Spellcaster, but if you really want to dive into everything the new pack has to offer they're a good focal point, and there are helpful pointers contained in the goal text. Meanwhile, Realm of Magic introduces two new aspirations for your Sims: 'Spellcraft & Sorcery', which is a Knowledge aspiration and 'Purveyor of Potions', which is a Nature aspiration. And alchemy (a potions-based discipline more grounded in the physical world than the other schools).Untamed magic (concerned with the acquisition of the most powerful spells).Mischief magic (which aims to cause discomfort and embarrassment to others).
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